ANA VICENTE artist-researcher-educator



WORK


2025  CORPUS TRÉMULO ~PhD artistic research
2024 DRAWING AS EXPANDED PRACTICE ~ teaching, practice-research
2024 JOINING ~ participatory, installation, instructional piece
2024 HOW DOES A COLLECTIVE BODY MOVE... ~ practice-research, writing, collective
2023 24H ON EARTH PUBLICATION ~ curation, proj. management
2023 THERE IS A STONE IN ME THAT KNOWS STONE ~ installation, performance
2022 STEVIE SMITH ~ art producer
2022 LOVE LETTERS ~  research-creation, pedagogy, collaboration
2022 (K)NOT CROCHET AT 24H ON EARTH ~ expermental pedagogy, collaboration
2022 GROUND WORK CATALOGUE ~ graphic design, art direction
2022 CUT-UP-CHOREO-GRAPHIES ~ collage
2021 DOMESTIC CHOREOGRAPHY 2 ~ video
2021 BEING-WITH-CHOREO-GRAPHIES ~ installation, video
2021 THE SOUNDSCAPE POETRY PROJECT ~ book design, artwork
2020 GROUND WORK  RESIDENCY ~ photography, mixed media
2020 BEING-WITH-CHOREO-GRAPHIES ~ website, practice-research
2020 FEELING THE GAPS WALKING ~ toolkit, practice-research, collaboration
2020 STUDIO 4 ~ installation, practice-research
2019 DINNER ~ performance
2019 BY THE WAY CATALOGUE ~ graphic design, art direction
2019 LIVETYPE ARCHIVE ~ graphic design, publication
2018 LIVETYPE ~ Performance, collaboration
2018 T2 ~ performance, collaboration
2018 MALPAS ROAD ~  performance, collaboration
2017 W(IN)DOW ~ performance
2017 NUMBER STATIONS ~ performance, collaboration
2016-2005 WOTADOT ~ self-publishing
2015 SPACE IN BETWEEN THE WORDS ~ artist book
2015 WHAT IS LEFT OF PEREC ~ text
2015 ENSEMBLE  (DOMESTIC IMPROVISATION) ~ video, assemblage
2015 KITCHEN ~ mixed  media
2015 THINGS THAT ARE THERE  CATALOGUE AND FLYER ~ graphic design
2011 TABLE SERIES II ~ etchings
2011 UNTITLED_PILE ~ artist book
2011 FOUND ~ drawing, etchings
2010 TREE DANCE ~ photography
2010 THE FALL ~ artist book
2010 TABLE SERIES I ~ drawing, mixed media
2009 COSMOS ~ artist book
2004 DAQUI PARA ALI E VOLTAR ~ installation


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Copyright © 2004-2026 Ana Vicente
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CORPUS TRÉMULO


My artistic research of the past 5 years, as part of a part -time PhD at University of the Arts London, is an inquiry into a poetics of tremor working-with an involuntary movement such as an essential tremor (neurological condition) and re-situating it within artistic-pedagogic practice to question how it can become an epistemological, aesthetic and pedagogical motif for composing uncertainty and embodied becomings– tracing the ‘doings’ of a trembling practice. My inquiry deals with the workings of tacitness, lived artistic experience, improvisation and somatically informed anecdotal accounts as aesthetic, embodied, relational, material and language-based ways of knowing. It composes an ongoing record of tremor grounded in somatic informed movement, drawing, crochet, geological meanderings and writing.

writingmoving, writingdrawing, writingcrocheting, writingrumbling, writingreading

A Corpus trémulo as a record of tremor. And as artistic, somatic, poetic, pedagogical and critical gesture that makes possible practices in tension with clarity, consistency, fluency and the knowable. In my inquiry, tremor – traditionally seen as a deficit works at becoming-generative; an attempt to reconfigure knowing not as stable, cold and distant, but as warm, messy, alive and always moving .

In progress...














Research documentation
Image Credits:  Ana Vicente

Copyright © 2021-2026 Ana Vicente
No part of this text and images  may be reproduced without permission